In reply to Marek:
I've not used it on stills (don't really take photos), but we use it at my work to up res and denoise old archive footage and, despite my initial scepticism, I'm quite impressed with it. Have heard it fairly well received in the photographic world?
Not sure if it's the same with stills, but I found that the results vary depending on the setting you use - overdo it and it can make everything look unconvincing and artificial but persevere and it can bring definite improvement. Found it worked best on low bitrate digital origin video, really smooths out the blockiness.
Like all of the AI tools we use, it's far from perfect, but it's cheap, quick and easy. Doubt anyone would go anywhere near them otherwise!