In reply to ChrisJD:
> I think the starting point would be everything zeroed in the particular RAW processor you are using. After that, everything is your choice.
All the sliders are calibrated to zero whatever flavour of pre-set I choose. Does a definitive "zero" exist? I presume that I could in principle get to any of the other presets from that starting point and then on from there if I wanted.
> It is interesting that you have immediately placed an arbitrary constraint on your RAW editing by adopting a baseline pre-set to give you that 'out-of-camera' look you got when you were using a particular flavour of the Fuji jpg processing engine.
I don't see why that is the case. I have to start somewhere. The pre-set has not thrown away any data.
I actually started using Lightroom but was often struggling to match the results I had been getting by further processing the Fuji jpegs using the then default windows software (Picture Gallery), though obviously I could more out of the shadows and highlights. As soon as I switched to Capture One with its Fuji pre-sets I found it easy to get far better results, I think because I was starting with something which looked familiar so I instinctively knew what I needed to do to get the results I wanted. My guilty secret is that I still often make some final adjustments using Picture gallery after exporting the jpegs.
> Do you think that if your RAW starting point looked different to what you used to get out as a (processed) jpg, that the RAW image would be a 'false' image and that you were somehow 'cheating'?
No. I'm not sure why you might think that. It would just be a different starting point which I could presumably reach anyway from my chosen starting point.